How do you think Alonso will respond?
What makes it such a compelling and beautiful passage? Why does Shakespeare give these lines to Caliban rather than, say, Ariel or Miranda? Caliban frequently describes the qualities of the island, but usually these descriptions relate to the torments Prospero subjects him to.
Indeed, the speech in Act III, scene ii echoes one from the beginning of Act II, scene ii, in which Caliban complains of the spirits that Prospero has sent to bother him. The voices Caliban hears do not command him to work, but rather, if they wake him from sleep, put him back to sleep again.
He continues to range drunkenly about the island with Trinculo and Stephano. What the speech does is change our perception of Caliban. It reveals a deeply tragic side of him. His life on the island is so terrible that he longs for the ethereal world of the noises that give him delight.
In the mouth of Miranda, or Ariel, this speech might be just as beautiful, and would convey effectively the magic of the island. But it has more power in Caliban because it allows his curses and his drunkenness to make tragic sense: Discuss moments where Miranda seems to be entirely dependent on her father and moments where she seems independent.
At first, Miranda seems very young. In this scene the reader sees a relationship that is tender but also astonishingly one-sided. Prospero has lived alone with his daughter for twelve years and not told her why they live alone on the island.
After he has told her, he charms her to sleep so that he can set about the new plan of getting her a husband, which he has not discussed with her. When that future husband, Ferdinand, arrives, Prospero continues to dominate her by directing her gaze toward Ferdinand, but then quickly steps between the two.
When Miranda begs him to have mercy upon Ferdinand, Prospero is strikingly harsh. Though Prospero enters, unseen, at the same time as Miranda in this scene, he does not say a word until she and Ferdinand have left the stage.
By the end of the scene, Miranda seems almost to have forgotten her father entirely, and she seems much older, in control of her destiny.
By leaving her alone for perhaps the first time, Prospero has allowed Miranda to leave behind her childhood.
The transition is not complete, however, and may not become complete, even by the end of the play. In Act IV, scene i, Miranda speaks only two and a half lines, standing completely silent while her father and Ferdinand discuss the details of her marriage.
And while Miranda speaks first, and forthrightly, when she appears in Act V, scene i, she appears only after being revealed behind a curtain by her father. What is the nature of his love for Miranda?
Is he a likable character? What is the nature of his relationship to other characters?
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Ferdinand is very formal. Upon first seeing Miranda, he assumes that she is a goddess, and he addresses her as such. His language is that of courtly love, of knights who fight for fair ladies. Ferdinand idealizes both Miranda and love itself.
From the moment he sees her, he is intent upon finding himself in a heaven of love. Ferdinand is a sympathetic character, and his love for Miranda seems most genuine when he suddenly is able to break out of his verbose formality and show a strikingly simple interest in Miranda.
Ferdinand agrees to marry Miranda in a scene in which he has been, like Caliban, hauling logs for Prospero.
Unlike Caliban, however, Ferdinand has been carrying wood gladly, believing that he serves Miranda. The sweet humbleness implicit in this belief seems to shine through best at the times when Ferdinand lets go of his romantic language.THE TEMPEST.
READING QUESTIONS. ACT ONE. 1.
Act One, Scene i shows the "tempest" of the play's title. How do the different characters react to crisis?
May 29, · Can you name the answers to the geography questions in the time limit? Caliban’s speech is most remarkable and compelling largely because of how different it is from anything he has said before.
Caliban frequently describes the qualities of the island, but usually these descriptions relate to the torments Prospero subjects him to. Taming a Tempest.
by captv8td. [email protected] Chapter 1. Tempest looked around the room again. Now there were only two. She looked back at Alaine, the only other occupant of the room and saw her friend staring back at her with terror-filled eyes. In Julie Taymor's version of 'The Tempest,' the main character is now a woman named Prospera.
Going back to the 16th or 17th century, women practicing the magical arts . Narrator It was a chilly November evening. William Shakespeare's play The Tempest, full of music, magic and monsters, is being performed for the first time.